漢土陵山 Han Tu Ling Shan

詩文,借用了能代表國家奇峯秀水的張家界的四個文化特徵:'漢族','土家','武陵源'和'天門山'。將之重組融和,發現了首句'漢土源天家,陵山武族門';將之濃縮提練,發現了歌名《漢土陵山》。原來,早隱藏了:民族共融,天人共融。
The poem borrows four cultural characteristics representing Zhangjiajie, a region renowned for its magnificent peaks and waters: 'Han Chinese(a clan or Zu)', 'TuJia(also a clan)', 'WuLingYuan', and 'TianMen Mountain(Shan)'. Recombining and integrating these elements reveals the opening line, 'Han Tu Yuan Tian Jia, Ling Shan Wu Zu Men'; condensing and refining this reveals the song title, 'Han Tu Ling Shan.' It turns out that the divine already concealed the themes of ethnic harmony and harmony between humanity and nature.

體栽,以十二首五言絕詩貫穿而成。透過雲峯霧鳥洞橋溪瀑,嘗試呈現人與大自然之對話與交流。願城市人融和天地;願受傷人洗滌疼痛;願追夢人圓夢登峯。
The work is structured around twelve five-character quatrains. Through clouds, peaks, mist, birds, caves, bridges, streams, and waterfalls, it attempts to present a dialogue and exchange between humanity and nature. May city dwellers harmonize with heaven and earth; may the wounded cleanse their pain; may dreamers achieve their dreams and reach the summit.

流轉,仿詩畫,仿詞曲,仿對聯,仿遊記。配上音樂後,以遊記對聯觀之,上篇俯瞰,下篇仰望。兩篇各六段,按易經六爻順序行吟對唱,繪畫着:所尋、所到、所感、所悟、所變、所得。兩篇首句字同意不同,上篇取字面解釋,下篇取四詞重組一家互相融和之意。
The work flow, imitates poetry and painting, lyrics and melody, couplets, and travelogues. With music added, it can be viewed as a travelogue couplet, with the upper part looking down and the lower part looking up. Each part with six verses follows the sequence of I Ching Six Lines Divination, depicting: what was sought, what was arrived, what was felt, what was understood, what was changed, and what was gained. The first sentences of the two parts have the same characters but different meanings. The first part takes the literal interpretation, while the second part takes the meaning of the four characteristics being recombined and integrated into one.